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2025-2026 Season Preview!
Robert Honstein's 25-26 Season Preview
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Robert Honstein's 25-26 Season Preview

Performing Sonnets for soprano, percussion and piano at the Sheung Wan Civic Centre Theater, Hong Kong with soprano Joanne Shao and percussionist Matthew Lau, June 7, 2025 (Photo Credit: Jeff Cheng)

 

 

Hello friends,

Happy fall and the start of the 2025-26 concert season! I have some exciting premieres coming up, but first, I wanted to let you know that I’ve accepted the position as Clinical Assistant Professor of Music at NYU Steinhardt, starting this year. As most of you know, I've been teaching and working at NYU in various capacities for almost ten years. During that time, working with NYU students and colleagues has been a privilege, joy and source of constant inspiration. I'm thrilled to continue that work in this new role and excited to see where it takes me next. On to the music...

Last season ended on a high note, with a week long residency with the Up:Strike Project at The Hong Kong Academy for Performing Arts, culminating in a portrait concert where I performed in a new version of my Sonnets for soprano, percussion, and piano, while the Up:Strike Project premiered my Yet in my sad heart for percussion quartet and track alongside older works, Patter and Is it Auburn?. We were even interviewed on Hong Kong’s RTHK, with a preview performance of Sonnets (Video here).

On the premiere front, I’m currently finishing up a large chamber ensemble work for Rocket City New Music. Premiering December 20th in Huntsville, AL, with a Meet-the-Composer event on the 18th, the three-movement work is scored for eight performers (oboe, clarinet/bass clarinet, trumpet, violin, viola, cello, vibraphone, and piano). In March and April, percussionist Garrett Arney will premiere the wind ensemble arrangement of my percussion concerto, Juvenalia, with the ASU Wind Symphony, Yale Concert Band, and East Carolina University Wind Ensemble. Finally, the complete eight-part song cycle Sonnets for soprano and chamber ensemble will be premiered and recorded by the No Exit New Music in Ohio May 28-30, 2026

Last but not least, keep your ears out for an album of my string quartets, slated for release in June 2026 on New Focus Recordings. Much more to come about that as we get closer to the release date. In the meantime, please take a look at my full season calendar here: https://www.roberthonstein.com/202526-season

Thanks for tuning in,

Robert
Recent Works:

Yet in my sad heart for percussion quartet and track

Sonnets, version for soprano, percussion and piano

Music to Hear, commissioned by The Living Earth Show and Tanner Porter (more info soon)
Interview/Performance on Ratio Television Hong Kong
Upcoming Performances
  • Oct. 3: "Bow Lines" from An Economy of Means in Cologne, Germany
  • Oct. 29: De Apostolis in Manitoba, Canada
  • Nov. 2: Iwo Jedynecki and Karolina Mikolajczyk perform selections of Floriography, arranged for accordion and violin.
  • Nov.13-15: VT Percussion Ensemble performs An Index of Possibility with choreography at PASIC 
  • Jan. 30: The Living Earth Show with Tanner Porter perform Music to Hear at PIVOT Festival in San Francisco
  • Feb. 14: Colin Currie & Ensemble 360 perform Continuous Interior
Yet in My Sad Heart was commissioned by The Up:Strike Project, Dr. Matthew Lau & Karen Yu, directors. It was premiered on Saturday, June 8, 2025 at the Sheung Wan Civic Centre Theater, Hong Kong by the Up:Strike Project, featuring Matthew Lau, Karen Yu, Samuel Chan, and Bevis Ng.
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Portrait Concert in Hong Kong

SONNETS: Robert Honstein Composer Portrait Concert
Delighted to announce this concert featuring all works of Emmy-nominted composer Robert Honstein, including new arrangements of his works, AND A BRAND NEW PERCUSSION QUARTET written for Up:Strike. This concert will mark Robert’s 7-day residency in Hong Kong. He will be working with the students at the HKAPA and members of Up:Strike. Get your TIX NOW!
2025. June 7 (SAT) 8 pm Sheung Wan Civic Centre Theatre (5/f)

 
2022-2023 Season Announcement

Hi friends,

Hope you all have been able to stay cool for this scorcher of a summer! I was lucky enough to make a quick trip to Finland for a performance of my new Endless Landscape at Avanti's Summer Sounds festival, followed by a short visit to MASS MoCA for a stellar performance of An Economy of Means by Doug Perkins at the Bang on a Can Loud weekend, and finally an amazing week in Del Mar, California, teaching at the Del Mar International Composers Symposium. As we head into the fall, I'm excited to give you a season preview and share some new music, upcoming performances and albums in the works.

If you've been following my Facebook Page or Twitter, you'll know that my score for The Real Charlie Chaplin was honored with a News & Documentary Emmy Nomination for Outstanding Music Composition! It continues to be a fun adventure and hope to be able to share more news about the soundtrack soon.

No Exit New Music will premiere a new work of mine for soprano and chamber ensemble in April, and you can check out the ever-expanding season calendar here.

For all the saxophonists and sax/perc. duos out there, Echolocate for alto/soprano sax and marimba is now available for purchase. More info here.

Lastly, an album featuring my An Index of Possibility, Down Down Baby, and Lost and Found, will be released in the spring, with superb performances by TIGUE, New Morse Code, and Michael Compitello. More info coming soon.


Other News

  • Check out new score follow videos of Olmsted and Arctic, and subscribe to my YouTube channel for new releases.

  • Other Sheet Music Releases: Evergreen for two percussionists and Endless Landscape for eleven instruments are both now available in PDF and Print Formats.

  • Alysa Pires's choreography to Conduit: II. Pulse will be programmed by the Alberta Ballet in the Fall. Tickets here.


thanks for tuning in,
Robert

 
National Ballet of Canada Press

Enjoy the press images from the ballet Skyward by Alyssa Pires, which featured Conduit: II. Pulse. It ran for seven performances from March 9-13, 2022.

Review of the ballet:

The company were at their best. The first ballet on the program the joy-filled sky-reaching Skyward, a world premiere created for the company by choreographic associate Alysa Pires.

The costumes by Dana Osborne had the suggestion of feathers for both men and women highlighting the feeling of flight in much of the choreography

Pires has a particularly fluid physical language that is yet full of variation to fit the different physical qualities and personalities of the dancers it was set on. Particularly glorious was the third movement danced tonight by the always luminous Heather Ogden and and astonishingly powerful Brendan Saye. What has happened to Saye during the pandemic? I have never seen in his dancing such authority, charisma and power. Combined with the luminous richness of Ogden’s presence the two of them in this particular choreography irresistibly made me thing of the leading characters Matthew and Diana in Deborah Harkness’ best selling trilogy of novels, and the television series it inspired, A Discovery of Witches: a coming together of two strong contrasting personalities meeting and establishing an unbreakable bond of partnership.

Skyward as a whole is full of a sense of joy and release reflecting, as Pires told me when I met her in the lobby, the feeling they had all had in the studio working on the company‘s very first new work after the lockdowns.

- Jennifer Parr, The Whole Note