Robert is a composer and pianist living in Brooklyn, NY. He recently finished the MMA degree at the Yale School of Music where he studied with David Lang, Chris Theofanidis and Martin Bresnick. Send me emails at rhonstein@gmail.com !

long bio

Events

  • Thu 10.7.2010: New Haven
  • Mon 10.11.2010: Yale @ LPR
  • Sun 12.5.2010: Carnegie Hall

September 2010
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Fantasy Triptych

Quadrophonic Diffusion, fixed media

Comprised entirely of processed acoustic sounds, Fantasy Triptych opens with a sweeping introduction and proceeds to move through three distinct musical worlds. The logic of progression is associative. Certain sounds appear as secondary in one world only to become central in the next. Some sounds are present throughout (the tolling of bells, a mysterious howling voice), while others come and go never to be heard again. From start to finish the music follows a trajectory of descent, moving through increasingly bizarre and terrible worlds, ultimately arriving somewhere radically different from where it began.

The piece is my first and only attempt to write purely acousmatic music. It was a difficult but ultimately rewarding experience. Immediately after completion I was fortunate to have a group of UT dancers choreograph a piece for the 2007 EARS AND FEET show at UT Austin. The piece has lived on via performances at a number of electro-acoustic conferences and festivals.

Fantasy Triptych
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Premiered 4.24.07 St. David Episcopal Church, Austin, TX.

performances

4.8.10 Soceity of Electro-Acoustic Music National Conference, St. Cloud, MN.
4.2.09 New York City Electro-Acoustic Music Festival, New York, NY.
10.18.08 Electronic Music Midwest Festival, Romeoville, IL.
4.10.08 Florida Electro-Acoustic Music Festival, Gainesville, FL.
3.15.08 Spring in Havana, Havana, Cuba.
11.16.07 LaTex Electro-Acoustic Festival, Denton, TX.
5.05.07 EARS Recital Series, Austin, TX.

nicholas_ikeda_collins_ryoji

So, rather than compose this morning I realized that when you put nicolas collins on top of ryoji ikeda you get cool shit. Pretty much streamed the first few tracks of dataplex while also playing collins’ piece ’salvage (guiyu blues)’ and then soundflowered the two into logic. I added a little reverb, which makes the collins sound kind of like some early sixties cage/tudor contact mic lovefest. The first thirty seconds or so uses a little bit of Collins’ ‘Chicago, November 4 2008′.

nicolas_ikeda_collins_ryoji
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check out collins at nicolascollins.com

and ikeda at ryojiikeda.com