Sonnets (2023)
FOR soprano and chamber ensemble
I. Love, though for this you riddle me with darts
II. I think I should have loved you presently
III. I shall forget you presently, my dear
IV. Oh, think not I am faithful to a vow!
V. When I too long have looked upon your face
~17 minutes
Program Notes
Ever since a quixotic beauty caught the eye of an itinerant, 14th century ex-priest, the sonnet has been to poetic expressions of love as bread is to butter. It is an almost protean form, something so innate that whether or not Petrarch fell for his Laura a similar structure would surely have emerged in some other guise at nearly the same time. While the language and style of sonneteers continuously evolves, this timeless form has retained its grip on poetic minds for centuries. From Shakespeare and Donne to Rilke and Neruda, the sonnet persists as a deft expression of human experience in all its vicissitudes. Into the pressure cooker of its compact formal apparatus, the complexity, ambiguity and chaos of humanity emerges reshaped and reborn into powerfully concise, crystalline poetic expression.
Writing in the first half of the 20th century, Edna St. Vincent Millay vigorously takes up this tradition. At a time of high poetic modernism, Millay injects the ancient form with vitality and stylistic ingenuity. In her hands the sonnet feels fresh and urgent. The words are organic and vital, yet also surgically precise in their layered meaning, wit and sheer beauty. Millay’s sonnets are shifting and bold, fearlessly expressing a radically feminine perspective, while at the same time gesturing towards universal themes of love and desire. In writing my piece, Sonnets, I primarily wanted to foreground Millay’s brilliant words. The poetry is so good, so captivating, direct and powerful that it seemed my job, as composer, was simply to provide a musical scaffolding for Millay’s candescent verse. To that end I’ve put together five songs that hopefully allow you to appreciate and be moved by these beautiful words.
Sonnets was commissioned by the No Exit New Music Ensemble. It was premiered April 7, 2023 at SPACES in Ohio City, OH by Lauren Pearl, Soprano, and the No Exit New Music Ensemble.
Instrumentation
Soprano
Flute / Alto Flute
Clarinet in Bb / Bass Clarinet in Bb
Violin
Cello
Percussion
Crash Cymbal (High, closer to a splash but still a crash)
Triangle
Glass Bottle
Brake Drum (or misc. high metal object - does not need a clear pitch)
Two Woodblocks (High, Low)
Jam Block (or piccolo woodblock, synthetic clave, or similar)
Bongos
Kick Drum (muffled to emphasize attack and avoid boomy mids)
Vibraphone
Piano
Purchase
Recent Performances
April 15, 2023 Kent State University, Kent, OH. No Exit New Music.
April 14, 2023 Heights Arts Gallery, Cleveland Heights, OH. No Exit New Music.
April 7, 2023 SPACES GALLERY, Ohio City, OH. No Exit New Music.