Flute, Clarinet, Violin, Cello, Percussion, Piano – 20 minutes
For much of the world, 2015 was one of the warmest winters on record. In Boston, where I live, it was one of the coldest. By mid-January it seemed like we might get a pass from mother nature, but in the last week of January, winter storm Juno paid us a visit, launching a series of massive blizzards that brought a record breaking amount of snowfall. At the time I was holed up in a small New Hampshire cabin, fireplace and food close at hand, working on this piece, actually. For me the storms brought an eerie, magical calm: leafless trees crackling in the wind; pristine, untouched snow as far the eye could see; deep cold and an endless white horizon. At the same time my wife, eight months pregnant with our son, was alone in Boston, commuting to work on treacherous, ice-covered streets hemmed in by ten foot tall snow banks and a sea of frustrated commuters. The contrast was extreme. My piece Juno, reflects on that time: the anticipation before the first big storm; the beautiful stillness of fresh snow; the loud, dirty, struggles of an urban winter; and the feeling of heaviness as the season drags on seemingly without end. Juno was commissioned by the Mandel Foundation for the Utah Arts Festival and premiered in June 2015 by the Verge Ensemble.
Check out this video by Scott Quade of Hub New Music’s performance at the Fenway Center in Boston:
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premiered 6.27.15 at Library Auditorium, Salt Lake City, UT by the Vertigo Ensemble, Andrew Rindfleisch, Conductor.